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What sets off Norwid's efforts to “re-create Christian discourse” from similar attempts made by his contemporaries – Romantic poets and philosophers – are, it appears, first and foremost the following features: he is more explicit than others in referring his observations on language to theology, he consistently interprets the religious meaning of linguistic expressions in the light of Church teaching,...
It is not easy to penetrate the complexity of Norwid's „spiritual organisation” and trace the conditions that ultimately led him to crystallize his views on art. Not only was he a “poet and master artist”, but he also was a thinker who sought to give theoretical underpinning to his views and a critic who aimed to spread artistic literacy in his country and to champion Polish art and art in Poland...
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